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Iranian Society of Ethnomusicology

Ethnomusicology in Iran

  • About
  • Amirhossein Eslami Mirabadi
  • Articles and E-books
  • Audios
  • Beyond the Radif by Laudan Nooshin
  • Contact Us
  • Effective Factors in the Correct Teaching of Music by Amir Eslami
  • Folk Music of Khorasan
  • Hip-hop Tehran: Migrating Styles, Musical Meanings, Marginalised Voices
  • Improvisation in Iranian and Indian Music by Nooshin, L. & Widdess, R.
  • Iranian Classical Music by Laudan Nooshin
  • Iranian Ethnomusicologists
    • Human Asadi
  • Jazz and its Social Meanings in Iran: From Cultural Colonialism to the Universal
  • Modernity, Sexuality and ideology in Iran by Kamran Talattof
  • Motrebi by Sasan Fatemi
  • Music of Baluchistan, Makkoran
  • Ney Instrument by Siamak Jahangiri
  • Rhythmic structure in Iranian music by Mohammadreza Azadehfar
  • Sasan Fatemi
  • Subversion and Countersubversion: Power, Control and Meaning in the New Iranian Pop Music. In: A. J. Randall (Ed.), Music, power, and politics
  • The Art of Persian Music
  • The Language of Rock: Iranian Youth, Popular Music, and National Identity. In: M. Semati (Ed.), Media, culture and society in Iran
  • The Processes of Creation and Recreation in Persian Classical Music (Volume 1)
  • The Processes of Creation and Recreation in Persian Classical Music. Volume 2
  • Touraj Kiaras and Persian Classical Music: An Analytical Perspective
  • Two Revivalist Moments in Iranian Classical Music
  • Underground, Overground: Rock Music and Youth Discourses in Iran
  • Videos and Images

Effective Factors in the Correct Teaching of Music by Amir Eslami

In this article you can read about the effective factors in music training keeping an eye on Iran atmosphere.

Effective Factors in the Correct Teaching of Music by Amir Eslami

To read about Amir Eslami’s background click here.

Recent Posts

  • Ebrahim Sharif Zadeh, great Iranian Dotar player passed away
  • An Introduction To The Traditional Music Of Iran
  • Duet for Santur and Tonbak by Siamak Aghaei and Kamran Montazeri

Recent Comments

  • farzimo on An Introduction To The Traditional Music Of Iran
  • Samanta on An Introduction To The Traditional Music Of Iran
  • Joseph Anderson on An Introduction To The Traditional Music Of Iran
  • Hafez Modirzadeh on Duet for Santur and Tonbak by Siamak Aghaei and Kamran Montazeri

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Copyright Ethno.ir 2016
  • About
  • Amirhossein Eslami Mirabadi
  • Articles and E-books
  • Audios
  • Beyond the Radif by Laudan Nooshin
  • Contact Us
  • Effective Factors in the Correct Teaching of Music by Amir Eslami
  • Folk Music of Khorasan
  • Hip-hop Tehran: Migrating Styles, Musical Meanings, Marginalised Voices
  • Improvisation in Iranian and Indian Music by Nooshin, L. & Widdess, R.
  • Iranian Classical Music by Laudan Nooshin
  • Iranian Ethnomusicologists
    • Human Asadi
  • Jazz and its Social Meanings in Iran: From Cultural Colonialism to the Universal
  • Modernity, Sexuality and ideology in Iran by Kamran Talattof
  • Motrebi by Sasan Fatemi
  • Music of Baluchistan, Makkoran
  • Ney Instrument by Siamak Jahangiri
  • Rhythmic structure in Iranian music by Mohammadreza Azadehfar
  • Sasan Fatemi
  • Subversion and Countersubversion: Power, Control and Meaning in the New Iranian Pop Music. In: A. J. Randall (Ed.), Music, power, and politics
  • The Art of Persian Music
  • The Language of Rock: Iranian Youth, Popular Music, and National Identity. In: M. Semati (Ed.), Media, culture and society in Iran
  • The Processes of Creation and Recreation in Persian Classical Music (Volume 1)
  • The Processes of Creation and Recreation in Persian Classical Music. Volume 2
  • Touraj Kiaras and Persian Classical Music: An Analytical Perspective
  • Two Revivalist Moments in Iranian Classical Music
  • Underground, Overground: Rock Music and Youth Discourses in Iran
  • Videos and Images

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