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Iranian Society of Ethnomusicology

Ethnomusicology in Iran

  • About
  • Amirhossein Eslami Mirabadi
  • Articles and E-books
  • Audios
  • Beyond the Radif by Laudan Nooshin
  • Contact Us
  • Effective Factors in the Correct Teaching of Music by Amir Eslami
  • Folk Music of Khorasan
  • Hip-hop Tehran: Migrating Styles, Musical Meanings, Marginalised Voices
  • Improvisation in Iranian and Indian Music by Nooshin, L. & Widdess, R.
  • Iranian Classical Music by Laudan Nooshin
  • Iranian Ethnomusicologists
    • Human Asadi
  • Jazz and its Social Meanings in Iran: From Cultural Colonialism to the Universal
  • Modernity, Sexuality and ideology in Iran by Kamran Talattof
  • Motrebi by Sasan Fatemi
  • Music of Baluchistan, Makkoran
  • Ney Instrument by Siamak Jahangiri
  • Rhythmic structure in Iranian music by Mohammadreza Azadehfar
  • Sasan Fatemi
  • Subversion and Countersubversion: Power, Control and Meaning in the New Iranian Pop Music. In: A. J. Randall (Ed.), Music, power, and politics
  • The Art of Persian Music
  • The Language of Rock: Iranian Youth, Popular Music, and National Identity. In: M. Semati (Ed.), Media, culture and society in Iran
  • The Processes of Creation and Recreation in Persian Classical Music (Volume 1)
  • The Processes of Creation and Recreation in Persian Classical Music. Volume 2
  • Touraj Kiaras and Persian Classical Music: An Analytical Perspective
  • Two Revivalist Moments in Iranian Classical Music
  • Underground, Overground: Rock Music and Youth Discourses in Iran
  • Videos and Images

Iranian Classical Music by Laudan Nooshin

Recent Posts

  • Ebrahim Sharif Zadeh, great Iranian Dotar player passed away
  • An Introduction To The Traditional Music Of Iran
  • Duet for Santur and Tonbak by Siamak Aghaei and Kamran Montazeri

Recent Comments

  • farzimo on An Introduction To The Traditional Music Of Iran
  • Samanta on An Introduction To The Traditional Music Of Iran
  • Joseph Anderson on An Introduction To The Traditional Music Of Iran
  • Hafez Modirzadeh on Duet for Santur and Tonbak by Siamak Aghaei and Kamran Montazeri

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Copyright Ethno.ir 2016
  • About
  • Amirhossein Eslami Mirabadi
  • Articles and E-books
  • Audios
  • Beyond the Radif by Laudan Nooshin
  • Contact Us
  • Effective Factors in the Correct Teaching of Music by Amir Eslami
  • Folk Music of Khorasan
  • Hip-hop Tehran: Migrating Styles, Musical Meanings, Marginalised Voices
  • Improvisation in Iranian and Indian Music by Nooshin, L. & Widdess, R.
  • Iranian Classical Music by Laudan Nooshin
  • Iranian Ethnomusicologists
    • Human Asadi
  • Jazz and its Social Meanings in Iran: From Cultural Colonialism to the Universal
  • Modernity, Sexuality and ideology in Iran by Kamran Talattof
  • Motrebi by Sasan Fatemi
  • Music of Baluchistan, Makkoran
  • Ney Instrument by Siamak Jahangiri
  • Rhythmic structure in Iranian music by Mohammadreza Azadehfar
  • Sasan Fatemi
  • Subversion and Countersubversion: Power, Control and Meaning in the New Iranian Pop Music. In: A. J. Randall (Ed.), Music, power, and politics
  • The Art of Persian Music
  • The Language of Rock: Iranian Youth, Popular Music, and National Identity. In: M. Semati (Ed.), Media, culture and society in Iran
  • The Processes of Creation and Recreation in Persian Classical Music (Volume 1)
  • The Processes of Creation and Recreation in Persian Classical Music. Volume 2
  • Touraj Kiaras and Persian Classical Music: An Analytical Perspective
  • Two Revivalist Moments in Iranian Classical Music
  • Underground, Overground: Rock Music and Youth Discourses in Iran
  • Videos and Images

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